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Introduction Pre-employment screening is an obligatory stage of the hiring procedures that allows the employers to identify what skills and abilities future applicants should possess to accomplish the goals of established in organization. Pre-employment procedure serves as a tool for managers to deal with all levels of human resource management.Advertising We will write a custom report sample on Pre-employment Screening in Management specifically for you for only $16.05 $11/page Learn More The importance of pre-employment procedures is also historically predetermined by the necessity of enhancing public safety. The applicant adjustment to the organization’s staff is premised on successful investigation process of future employees. The transitive nature of selection, recruitment, and training determines future success of an organization, as well as influences the planning process. There are various trends and approaches to pre-employment tests that depend on the purposes, organization’s requirements, and employees’ future responsibilities. In general, the procedure is premised on two strategies – pre-screening background assessment and post-interview background checks. The first stage of evaluation is based on the interviews whereas post-interview monitoring should involve filling out the application form and conducting psychological and medical examination of potential employees. Therefore, in order to understand the main aspects of pre-employment checking, as well as define what criteria should be included into the procedure, a review of literature should be conducted. The focus is on medical, ethical, and public safety concerns that can be considered through efficient pre-employment screening procedures. Literature Review Pre-employment screening denotes the process of analyzing backgrounds of future employees. The procedure is aimed at checking the accuracy of applicants’ skills, as well as at discovering any possible workers compensation claims, criminal history, and employer sanctions. Apart from personal background evaluation, there are many other concerns for analyzing the process of pre-employment screening, including public safety issues, assessment of employees’ skills, experience, and defining new paths for development of an organizational culture. According to Colaprete (2012), the hiring process should be accompanied with the inspection of the criminal background, as well as psychological profile. In addition, the researcher has stressed, â€Å"†¦the results of poor hiring practices have forced many law enforcement agencies to reevaluate their personnel selection and employment practices and standards† (Colaprete, 2012, p. 4).Advertising Looking for report on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More Therefore, it is highly important for employers to develop a detailed plan of assessment that provides a wide picture of applicants’ drawbacks. Moreover, the employers should be aware of the consequences of inappropriate screening for the rest of organization’s staff. While developing the pre-employment screening inspection, specific attention can also be paid to the analysis of problematic Internet use. In this respect, Davis et al. (2002) have developed the research studies in which they investigate the relation between social rejection and problem Internet use. The scholars have introduced four dimensions of problematic use of virtual space, including distraction, social comfort, loneliness, and aggressiveness. Inappropriate internet use, therefore, can be a decisive factor in estimating potential employees before applying them for a job. Similar concerns are presented in the research studies by Peebles (2012) who considers that hiring process should be carefully outlined and developed to reduce the number of risks to the already employed in dividuals. In fact, employers should be aware that the Internet does not only provide a handful of important information about potential employees, but also allows them to confront a new dimension of legal issues. According to Peebles (2012), â€Å"an analysis of negligent hiring – a tort that allows third parties to hold employers responsible for the harmful acts of their employees suggest that employers may actually have duty to search the Internet† (p. 1399). Therefore, pre-employment screening can imply pre-screening of the Internet because the searching process benefits the employees from acquiring online information about prospective employees. Such a strategy imposes a sort of liability on the applicants as well. Negligent recruitment can create serious consequences for company’s future development, welfare, and productivity. In this respect, Wang and Kleiner (2000) focus on the most common mistakes that employees make while hiring new employees. The emph asis is placed on poor monitoring of employees’ adherence to ethical codes, as well as identification of crimes in the workplace (Wang and Kleiner, 2000). The development of efficient pre-employment screening, therefore, is indispensible for ensuring a healthy environment in an organization and developing a strong corporate culture. In addition, the legality of procedure is also introduced to enhance the safety in the employed environment.Advertising We will write a custom report sample on Pre-employment Screening in Management specifically for you for only $16.05 $11/page Learn More Sorgdrager et al. (2004) have paid closer attention to the analysis of the effectiveness of pre-employment screening concerning the three basic indicators. These dimensions involve a positive test results, pre-employment medical examinations, and occurrence of rejections for the job. All these indicators illustrate usefulness and feasibility of pre-employment screeni ng and identify possible corrections for the test. In this respect, Sorgdrager et al. (2004) agree with the idea that there should be the evaluation of specific health conditions of employees and, therefore, medical examination should be part of the pre-employment screening. The scholars also admit, â€Å"†¦evaluation of effectiveness of interventions is an essential but often neglected task of occupational health care† (Sorgdrager et al., 2004, p. 275). Therefore, assessment of the most common risk is essential for predicting contingencies in the workplace. Despite the awareness of potential risks, some employers are reluctant to resort to the pre-employment checking procedures before the application form is filled out. Mathis and Jackson (2011) attain much importance to the selection interviews because this type of screening â€Å"†¦is done both to obtain additional information and to clarify information gathered throughout the selection process† (p. 94). T he stages of conducting an interview are important to arrange because it will allow the employer to understand whether employees’ skills, experience, and psychological profile corresponds to the previously established requirements. More importantly, there should be strict standards in accordance with which employees are selected. There are many formats, templates, and principles according to which pre-employment screening tests are developed. In this respect, Lanyon and Goodstein (2004) have introduced the Counterproductive Behavior Index (CBI) that evaluates five patterns of counterproductive behavior in the workplace, including dependability concerns, substance abuse, honesty concerns, computer abuse, and aggression. By means of this assessment, it is also possible to work a Good Impression Scale. The five indicators of counterproductive behavior have been successful and, therefore, this kind of test can be employed in evaluating employees’ aptness to work. The evalu ation of applicants in terms of the values and moral codes they uphold is also of high importance for employers because they allow to define immediately whether their values coincide with those presented in an organization. In this respect, Pawlowski and Hollwitz (2000) insist that employees judge on how company meets their moral concerns and needs during the application process.Advertising Looking for report on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More These judgments also help them to define â€Å"†¦the attractiveness of the organization, the likelihood of accepting a position offer, and the incidence of litigation arising from selection, training, and compensation procedures† (p. 59). Therefore, the attitude to organization’s fairness influences of a variety of outcomes, including turnover rates, organizational commitment, reactions to subordination, job satisfaction, and behavioral patterns in the workplace. Under these circumstances, pre-employment screening is incredibly important to companies because this procedure can help them identify an appropriate measure, which should be both inexpensive and efficient. Similar to Sorgdrager et al. (2004) who express their concern with ethical and safety issues, Pawlowski and Hollwitz (2000) assert that introducing honesty tests is helpful, but it does not provide sufficient measures for assessing workplace ethics for several reasons. First of all, these measures are not cost effective. An alternative to this measure could be a structured interview in which questions will be built in a way so that employees can be checked for honesty of their responses. Second, ethical integrity interviews can legally reinforce the pre-employment screening, which imposes certain responsibilities on employers. Finally, workplace ethics should also be considered in a broader sense to define that the screening procedure itself is honest. With regard to the above-presented research, most scholars support the idea that pre-employment screening is a multi-dimensional procedure, which involves legal, ethical, physical, and psychological requirements. In this respect, legal perspective of analysis implies evaluating employees’ criminal history, as well as their inclination to break the law. Second, employers should take control of medical screening employees, which implies monitoring psychological profile and behavioral patterns. The main challenge of arranging p re-employment screening lies in the cost-effectiveness analysis of its specific types. Finally, efficiency of pre-employment practices can have a potent impact on the welfare of organization and the overall climate in the employed environment. Summary The above-presented synthesis of literature on pre-employment screening procedures has defined new directions at improving efficiency, validity, and reliability of the application process. To begin with, potential employees should undergo a multi-stage process to measure the physical, mental, and social aptness of an applicant to work in a specific setting. Further, the presence of screening procedures does not guarantee that the employees correspond to the standards established in an organization and, therefore, the task of the employers is to strike the balance between pre-employment procedures and the missions of an organization. Further, the role of the screening lies in ensuring public safety of the employees who have already been accepted for a job position. However, while evaluating applicants’ characteristics, it is important for managers to adhere to the legislature and ethics of conducting interviews. The ethical dilemmas specifically concern the applicants’ rights to conceal personal information, which creates a number of problems for employers. Despite this challenge, assessment of employees’ psychological profile and honesty can contribute to the decision-making process. Finally, most research studies have been dedicated to the assessment of various types of screening procedures – from structured interviews to personal tests. Specific attention requires Counterproductive Behavior Index that allows managers to define the employees’ negative features and reduce the potential risk for their organizational culture. Such an approach is beneficial because it allows to predict the outcomes employees’ behavior and prevent any risk to employees’ welfare. Theref ore, the report introduces the current trends in developing pre-employment screening, as well as defines the influence of these tests on the recruitment process. References Colaprete, F. A. (2012). Pre-Employment Background Investigations for Public Safety Professionals. US: CRC Press. Davis, R. A., Flett, G. L., Besser, A. (2002). Validation of a New Scale for Measuring Problematic Internet Use: Implications for Pre-employment Screening. CyberPsychology Behavior, 5(4), 331-345. Lanyon, R. I., Goodstein, L. D. (2004). Validity and Reliability of a Pre-Employment Screening Test: The Counterproductive Behavior Index (CBI). Journal Of Business And Psychology, (4), 533-553. Mathis, R. L., Jackson, J. H. (2011). Human Resource Management: Essential Perspectives. New York: Cengage Learning. Pawlowski, D. R., Hollwitz, J. (2000). Work Values, Cognitive Strategies, and Applicant Reactions in a Structured Pre-Employment Interview for Ethical Integrity. Journal Of Business Communication, 37(1), 58-76. Peebles, K. A. (2012). Negligent Hiring And The Information Age: How State Legislatures Can Save Employers From Inevitable Liability. William Mary Law Review, 53(4), 1397-1433. Sorgdrager, B., Hulshof, T. J., Dijk, F. J. H. (2004). Evaluation of the Effectiveness of Pre-employment Screening. International Archives of Occupational and Environmental Health. 77(4), 271-276. Wang, J.-M., Kleiner, B. H. (2000) Effective employment screening practices, Management Research News, 23(5/6), 73-81. This report on Pre-employment Screening in Management was written and submitted by user Izayah Oneal to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here. Pre If we talk about the best and the most influential composers of all the times, Johann Sebastian Bach is one of the first names that have to be mentioned. This German composer and organist created plenty of unbelievable works, which presented the Baroque period in all its glory.Advertising We will write a custom report sample on Pre-Concert Talk about Johann Sebastian Bach specifically for you for only $16.05 $11/page Learn More In comparison to many other composers of the 17th, 18th, and 19th, Bach’s life and career has quite limited boundaries from Eisenach to Leipzig. However, his works and ideas are known to the whole world and arouse interest of many people with different cultures and preferences. His The Well-Tempered Clavier and Three Collections of Dance Suites are probably the greatest intellectual treasures all over the world. These keyboard works have their own peculiarities and captivate both the listeners and the performers. Without an y doubts, lots of pianists prefer to use the works by Bach during their performances, but they do not completely comprehend their style and background. Such lack of understanding turns out to be the major reason of why the same works may be presented and comprehended in many different ways. This is why it is crucially important to know the background of each musical work and be able to analyze its style. This time, two above-mentioned Bach’s works will be under our consideration. In Bach’s life, there are three major periods: Weimar, Cà ¶then, and Leipzig. During each of these periods, Bach created more and more captivating works and amazed people with his abilities to choose the best things in the world and represent them by means of music. â€Å"It was in Weimar that this remarkable process of self-education culminated in consummate mastery and the crystallization of Bach’s personal style which be then had evolved as the synthesis of the international musica l legacies.† 1 The Well-Tempered Clavier is considered to be one of the brightest works during this period.Advertising Looking for report on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More This is â€Å"much more than a compendium of contrapuntal devices, a role belonging more properly to the Art of Fugue.†2 In order to comprehend this work and be ready to read it, taking into consideration every detail, it is very important to analyze certain theoretical background and be aware of meaning of such notions like ‘equal temperament’, ‘just intonation’, ‘prelude’, and ‘fugue’. There are two volumes, which present a prelude and a fugue in every key, major and minor. A prelude is a quite short piece of music that may change its form depending on the whole masterpiece. Preludes usually serve as introductory parts to succeeding movements of the rest of the work or as sep arate pieces of works. The prelude consists of several repeating rhythmic motifs, so that it may considerably influence the general perception of the work. At the beginning of the 17th century, German composers started uniting preludes with another type of contrapuntal technique of a work, a fugue. The combination of preludes and fugues gained its recognition in numerous Bach’s works. Bach liked to participate in different events, where composers had to create and introduce fugues on organs or harpsichords in a short period of time. German composers wanted to move toward expression by means of huge harmonic changes and had a need of wider tonality realm. Without any doubts, Bach’s Well-Tempered Clavier serves as a good example of this musical tuning, known to lots of people as â€Å"just intonation†. It is a kind of system, â€Å"in which all the intervals are derived from the natural (pure) firth and the natural (pure) third.† 3 Nowadays, well temperamen ts are replaced by another system of tuning that is called â€Å"equal temperaments†, where only octaves considered to be pure intervals. Sebastian Bach could not agree that equal treatment should take such an important place.Advertising We will write a custom report sample on Pre-Concert Talk about Johann Sebastian Bach specifically for you for only $16.05 $11/page Learn More â€Å"The more mathematically minded writers on equal temperament have given the impression that extreme accuracy in figures is the all-important thing in equal temperaments, even if it is patent that such accuracy cannot be obtained upon the longest feasible monochord.† 4 Of course, the results of Bach’s own tuning deserve people’s recognition and analysis. In 1722, Bach started the creation of the first book of The Well-Tempered Clavier and the first cycle of different compositions in this very conception. The prelude in C Major that is followed by th e fugue in C Major starts Book I. Then, the prelude and fugue in C Minor follow. Each pair of prelude and fugue is presented in the chromatic scale till the last key. Book II was completed in 1744. More experienced and more educative Bach made a wonderful attempt to continue his work and add more interesting details to it. He wanted to achieve one of his cherished goals during the creation of this Well-Tempered Clavier – to prove the feasibility of well temperament for each composition in every key. However, it was not the only purpose of Bach. He was also eager to clear up how progressive work might contain some conservative ideas. This is why The Well-Tempered Clavier may be analyzed as a great source of information about various historical styles and idioms. It is necessary to admit that ornamentation played a very important role in the sphere of music during the 17th and 18th centuries. Lots of Bach’s written-out notes may be regarded as ornamentation examples. Orn amentation in Bach’s compositions helps to comprehend better different melodic events and make them more beautiful. People, who cannot notice any pieces of ornamentation, may see only a kind of surface layer of all the notes presented by the composer. The table of ornaments, offered by Bach in 1720 describes almost all commonly used ornaments: turn, appoggiatura and trill, ascending trill, etc. 5Advertising Looking for report on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Without any doubts, The Well-Tempered Clavier created by Bach is considered to be the greatest work of the Weimar period. In spite of the fact that this composition was created during the Baroque period, it had a considerable impact on Western classical music. For lots of people, who deal with music, both theorists and composers, this masterpiece remains a good sources of various musical techniques, which were so inherent to the Baroque style. Bach tried to unite unbelievable things or just the things, the combination of which was still unknown to the composers of the 17th century. When people listen to The Well-Tempered Clavier, they get a wonderful opportunity to enjoy unbelievable sounds and ideas. However, without proper awareness of such issues as equal temperament, just intonation, prelude, fugue, and different types of ornamentation, a professional musician will hardly evaluate this piece of work and find out what exactly the creator wants to represent to his listeners. Anoth er Bach’s work that deserves our attention and requires deep consideration is Three Collections of Dance Suites: The English Suites (BWV 806-811), the French Suites (BWV 812-817) and the Partitas for Keyboard (BWV 825-830). In order to comprehend why Bach chose a certain style for his work, it is better to analyze the backgrounds of each of dance suite and clear up their tempos. There are so many kinds of dance suites like the allemande, the sarabande, the gavotte, or the bourree, and each of them has its own peculiarities and influences the further development of the masterpiece. â€Å"The suite is usually denotes a cycle (or series) of dance pieces changing in tempo and meter yet preserving key unity throughout.† 6 The dance suite appeared in the 17th century and was one of the most famous discoveries of the Baroque Era. The Baroque dance suite’s major components, which are performed in one and the same key, are a prelude (it has already been discussed), the a llemande, courante, sarabande, intermezzi (consisting of minuet, gavotte, or some other dance), and gigue. Usually, al these components turn out to be dependant on the composer’s wish. If he/she wants to make the work really captivating, it is crucially important to think about the possible combinations and represent them in the composition. To make the right decision, it is necessary to be aware about the background of each dance suite and its tempo. First of all, it is better to remember that: Allemande has German origins and is represented within quadruple meter. The tempo of this movement is quite moderate and starts with an upbeat. Courante has more French origins and is characterized by quicker tempo in comparison to allemande, and presented in triple meter. If we look at the French dictionary, we will see that courante means run. According to such a simple translation, it is easier to guess a nature of this very movement. Sarabande is probably one of the slowest types of dance suite. It has Spanish origins and is performed in triple meter. Gigue attracts people attention by its fast tempo and lively atmosphere. This dance suite came from England, and its peculiar features are numerous triplets and a certain number of wide leaps. This very dance suite starts with eight meter. These four movements were the major components of the suites during the times of Bach. It was also possible to add several optional movements, which may be placed between the sarabande and gigue. In Three Collections of Dance Suites, Bach preferred to use bourree, gavotte, minuet, and prelude, of course. â€Å"His music speaks of initial hesitancy followed by confidence†7, this is why his unbelievably right choice of components for the suites always amazes the listener. Almost all additional movements have French origins: bourree is characterized as lively dance, gavotte is a kind of moderately fast dance, and minuet is elegant French dance with three even beats perf ormed in triple time. The minuet is the dance suite, which was the most preferable one by Sebastian Bach. In his Collection of Dance Suites, each collection consists of six suites. The model to each collection is quite standard: prelude, allemande, courante, sarabande, optional movement, and gigue. However, it is necessary to admit that Bach did not like to follow the rules precisely, but still could not create absolutely different pieces of music, this is why each collection has something in common that corresponds to the general model, and something different that underline the uniqueness of each collection. The English Suites are one of those, which closely follow the ordinary model. All six suites have the prelude, allemande, courante, sarabande, and gigue. Between the gigue and sarabande, each suite presents own optional movement: bourree (1st and 2nd suites in A major and minor), gavotte (3rd suite in G minor), minuet (4th suite in F major), passepied (5th suite in E Minor), a nd again gavotte (for 6th suite in D Minor). The French Suite does not have the prelude, but presents more movements between the gigue and the sarabande. This is why some of the French Suites have 5 movements (the 1st suite), 7 movements (2nd, 3rd, and 5th suites), and even 8 movements (4th and 6th suites). The Partitas for Keyboard is interesting due to its introductory movements and the variety of movements between basic elements of the whole model. The first suite has the standard model with the prelude and minuet. The 2nd suite has sinfonia as the introductory movement, and rondeau and capriccio as the final movements. The following four suites have quite different structures represented in the same key. After we look at the structures of each Bach’s suites, we can easily find out the differences and the peculiarities of each of them. It is impossible to say that some suite is better or worse than the other is. It is rather understandable that the beginning of the composi tion is a bit simple in order to provide the listener with a chance to feel the melody and create the general picture of the events. With each suite, Bach adds more and more movements. Such addition may be compared with the development of a person. With time, a human learns something new and enlarge his/her knowledge, he/she meets new people, and tries to make this life better than it is. Almost the same happens in Bach’s compositions. With time, each suite is enlarged with one or more movements. They influence the suite in its peculiar way and make the listener feel something that has not been inherent before. Johann Sebastian Bach’s contribution into music during the Baroque Era remains to be rather considerable. People all over the world get a wonderful chance to enjoy his magnificent compositions. â€Å"His personal stamp on† 8the old forms of suites added something really new to the further development of classical music. Even if Bach was a bright represent ative of the Baroque Era, his impact on Classical music is also great. It is impossible to analyze his works after listening them for one or two times. To grasp all the ideas, which Bach wanted to reproduce, it is better to learn their backgrounds and pay attention to each detail in the composition. Each suite in Bach’s compositions has different components. These movements make the work sweeter, and the addition more and more different movements to each suite is a wining decision of the composer to attract the attention of many theorists and practical composers. His works serve as good educative examples to learn more and more about the world of classical and Baroque music. His Dance Suite and The Well-Tempered Clavier are real treasures, which have to be kept, analyzed, and used in order to improve our modern music. Bibliography Apel, Willi. Harvard Dictionary of Music, Harvard University Press, 1969. Barbour, James, M. Tuning and Temperament: A Historical Survey, Courier D over Publications, 2004. Gillespie, John. Five Centuries of Keyboard Music: An Historical Survey of Music for Harpsichord and Piano, Courier Dover Publications, 1972. Lloyd-Watts, Valery Bigler, Carole L., and Palmer, Willard A. Ornamentation: A Question Answer Manual, Alfred Publishing, 1995. Melamed, Daniel, R. J. S. Bach and the German Motet, Cambridge University Press, 1995. Neumann, Frederick. Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach, Princeton University Press, 1983. Schulenberg, David. The Key Board Music of J. S. Bach, CRC Press, 2006 Sharpe, R. A. Music and Humanism: An Essay in the Aesthetics of Music, Oxford University Press, 2000. Footnotes 1 Neumann, Frederick. Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J.S. Bach (Princeton University Press, 1983), 7 2 Schulenberg, David. The Keyboard Music of J. S. Bach (CRS Press, 2006), 199 3 Apel, Willi. Harvard Dictionary of Music. (Harvard University Press , 1969), 448 4 Barbour, James, M. Tuning and Temperament: A Historical Survey, (Courier Dover Publication, 2004), 87 5 Lloyd-Watts, Valery Bigler, Carole L., and Palmer, Willard A. Ornamentation: A Question Answer Manual. (Alfred Publishing, 1995), 39 6 Gillespie, John. Five Centuries of Keyboard Music: An Historical Survey of Music for Harpsichord and Piano (Courier Dover Publications, 1972), 40 7Sharpe, R. A. Music and Humanism: An Essay in the Aesthetics of Music (Courier Dover Publications, 1972), 81 8 Melamed, Daniel, R. J. S. Bach and the German Motet, (Cambridge University Press, 1995), 54. This report on Pre-Concert Talk about Johann Sebastian Bach was written and submitted by user Alexa U. to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here. Pre Introduction The pre-Raphaelite was an association of English artists who included poets and painters. It was launched in 1848 by William Holman hunt, Dante Gabriel rosette together with john Everett Millais. Later the founders initiated William Michaels, James Collinson, Thomas Woolner and Fredric Stephens into the group so as to establish a seven member union.Advertising We will write a custom essay sample on Pre-Raphaelite Artists specifically for you for only $16.05 $11/page Learn More The organization intent was to create art by denouncing what they perceived to be mechanistic concepts formerly exploited by the mannerist artists who came after Raphael and Michelangelo. This group of artists assumed that classical dynamics and stylish compositions evident in Raphael artwork were in essence ruining the scholarly teaching concerning art. And this resulted in the emergence of Pre-Raphaelite artists.  Fundamentally, Pre-Raphaelite painters were in resi stance to or disregarded the manipulatins of R.A. pioneer Sir Joshua Reynolds. The Pre-Raphaelites artists opted to go back to the aspects of art that involved copious details, complex compositions of Italian and Flemish art, in addition to the use of intense colors. From time and again the Pre-Raphaelites are ever considered as the first avant-garde association in art. However, they have been deprived of that status for they went on embracing both the aspects of history painting as well as that nimesis, or aping that nature, as the core to the objective of art. Nevertheless, the Pre-Raphaelites did establish themselves as a transformation-movement, they established a unique name for their distinct art, and eventually published their own journal, The Germ, to endorse their views and ideas. The movement’s early dogmas were illustrated in four concepts: to have indisputable ideas to articulate to learn Nature conscientiously, so as to be acquainted with how to convey them to c ommiserate with what is undeviating and solemn and sincere in earlier art, to barring of what is conformist and self-burlesquing and attained by rote most obligatory of all, to create comprehensively superior portraits and statues These standards are plainly non-dogmatic; the Pre-Raphaelites anticipated emphasizing on the dynamics of personal responsibility (Hunt 81). This was in regard to individual artist concerning the manner one defined or determined personal concepts and ideals. The pre-Raphaelite artists were considerably swayed by Romanticism, this can be allied to the fact that they perceived liberty and responsibilities were inseparable.Advertising Looking for essay on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More However, medieval perceptions as well as cultures captivated them. They considered medieval culture to hold spiritual as well as creative inceptions that were missing in later periods.  Exploring the impact of med ieval on pre-Raphaelite, the artists emphasized more on dynamics that singularly clashed with specific aspects of realism. These aspects touch on the ideals of independent scrutiny of nature. Therefore, examining the profound dynamics of the Pre-Raphaelites in regard to medieval approaches the artists in this movement had different believes in art. This can be supported by the fact that the Pre-Raphaelites perceived that art was in essence spiritual in nature. Hence, their concern revolved within the perimeters of idealism, materialism and realism. Overview The Victorian period was in essence a period of social changes which compelled all artists whether sculptors, painters, poets or writers to take a definite position in the immediate concern of the society. Nevertheless, the direct forms found within the Romanticism persisted dominating the English artist, the attention of most artists focused on the growth and establishment of this art. However, from such a position, the medieval concepts which reigned during the gothic, early Christian art, insular art, Romanesque, and Byzantine period among others, were replicated by pre-Raphaelite artists differently. Therefore, looking at the manner the art historian’s paint these artists it becomes paramount to attempt to examine them critically. The sole objective would to understand the phenomenon of producing their works in diverse media different from the popular fresco paintings.  Considerably some of the artists associated with the pre-Raphaelite movement such as Hunt and Millais established a process of painting which was dissimilar from realists and gothic concepts. Their procedures advocated for the luminosity rather unwarranted misuse of bitumen by previous English painters such as David Wilkie. The Pre-Raphaelites artists exhibited their maiden work in the wake of 1849. Some of the exhibited work entailed Millais painting Isabella (1848-1849) as well as Hunts piece Rienzi (1848-1849) (Barringer 113) . The artist allied to this movement painted or rather presented works that were unique but controversial. Unlike in earlier period when religious and social aspects formed a central theme in paintings, Pre-Raphaelites examined diverse aspects of the society in their works.  Though, the artist’s medievalism was considerably attacked by those artists who viewed themselves as conservatives.Advertising We will write a custom essay sample on Pre-Raphaelite Artists specifically for you for only $16.05 $11/page Learn More The Pre-Raphaelites continued creating art work devoted to details. Despite the challenges which the Pre-Raphaelites encountered they did shed unrivalled light in regard to the dynamics of English art. Considering that conception that the medieval English society valued religious ideals, the Pre-Raphaelites went against these restrictions to greater engagements. It is from their devotion to nature, color and artistic compositions th at made them to be a force within the annals of art history. In essence, the pre-Raphaelite artists reacted against what art historians perceive to be unimaginative as well as artificial antique paintings created by the royal academy. The artists were compactly inspired and influenced by 15th century Italian art. Though this movement did not last long, her followers had instrumental impact on British art. This can be testified by the artist’s profound interior designs as well as decorative arts which they created.  The Pre-Raphaelites created and produced extremely convincing as well as significant paintings. Their work which entailed religious including medieval features emulated the extreme and utmost religious feelings as well as the naà ¯ve 15th century paintings of Florentine and Sienese. Hence, the style adopted by such pre-Raphaelite painters as Hunt and Millais developed art work featuring sharp as well as dazzling lighting, with a clear ambiance, and an almost pho tographic replica of fine details. Equally, the artists allied to this period or movement introduced articulate and private symbolism into their religious subjects along the medieval themes. All in all, John Ruskin, who was a popular writer and a pundit championed for the cause of the pre-Raphaelite artists. In essence, he played a critical role in reinforcing the movement’s scope of moral responsibilities as well as social commitment. Unlike the earlier artworks, the pre-Raphaelite art stood out as distinct and fresh due to its innovativeness. Pre-Raphaelites artists The movement is credited with some of the most outstanding artists. Some of the pre-Raphaelite artists left an indelible mark in the historic archives. Therefore, it can be asserted that pre-Raphaelite era was in essence phenomenal. Some of the big names include; Dante Gabriel Rossetti Rossetti was a popular figure and an established English poet, painter, translator and illustrator. With his close allies they f ounded the pre-Raphaelite brotherhood in the wake of 1848. As a painter, his works were symbolically characterized by their unique sensuality as well as their strong medieval revivalism.Advertising Looking for essay on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More More so, his paintings influenced to a great deal the European symbolist in addition to the fact that he was a key precursor of the famed aesthetic movement. Regarding his poetry, John Keats is said to have influenced him profoundly. This is evident in his earlier writings. Generally, his foremost paintings which were in oil expose the realist dynamics of the primary pre-Raphaelite movement. Girlhood of Mary Virgin as well as Ecce Ancilla Domini reflects his style and taste in regard to painting. In essence, he had a unique technique that exploited painting in oils while using water-based color brushes, as lightly as in water-based color, also on canvas which he treated with white to attain a smooth surface. This guaranteed that every tint remained transparent. Naturally, he painted from an aesthetic purpose. In his paintings he injected the scope of incorporating symbolic as well as mythological aspects than touch on the realistic images. According to the available literature on ar t Rossetti is said to have developed his own painting technique. The technique involved using water colors which formulated to make thick pigments using gum. The purpose of this process was to generate a rich effect that was resembled the medieval illuminations. Equally, he established a new drawing method in pen plus ink. One of his published works was â€Å"The Maids of Elfen-Mere† (1855), among others. In spite of his dreams concerning Arthurian anecdote in addition to medieval blueprint greatly influenced such painters as William Morris as well as Edward Burne-Jones. As is with other pre-Raphaelite painters, he encountered diverse critical hostilities for his primary paintings. Though, he worked extremely slowly this helped him in picking the most delicate details (Andres 200). Ruskin a celebrated art pundit recognized his dilemma and seamlessly encouraged him to attempt finishing at least a single painting at a time. However, Rossetti took most of his time and concentrat ion creating and producing both drawings and poems. With the time the use of water colors developed to be his favorite medium. In his search for a definite approach to art he moved further and further away from the dynamics of pre-Raphaelite modernism. And this resulted in him discarding his contemporary themes altogether. Subsequently he concentrated on antique stories and legends.  As a painter his major themes revolved around women, who, he assumed, held the secrecy of continuation within themselves. He viewed women as magical entities, living in mysticism and sensuality and this made him to examine the themes regarding feminine virtue, splendor, and passion leading him to limit himself to women subjects. After a period of attempting doing illustrations with woodcuts to substantial success, he reverted back to exploring the dynamism of Arthurian themes and subjects. He eked a negligible living by merchandising small, watercolor jewels to a definite group of collectors. He also did paint me a number of watercolors which he sold to William Morris. However, the characteristics and uniqueness of Arthurian/medieval romance continued to capture his imagination. And this resulted in him being commissioned to embellish the Oxford Union Building in the wake of 1857. Holman Hunt In personality Holman Hunt was entirely dissimilar from his partners. Naturally, he is mostly depicted as an arrogant and unfriendly. He was a son to a warehouse director or manager in Cheapside, London. Hunt spent a great deal in his formative years reading the bible. At the age of 12 he was earning as a clerk. He dreamed of being an artist, though he did not have the natural gift. However, he was full of imagination as well as visions which were complimented by very rare attributes at a time when the society was moving towards the post-industrial revolution.  He managed to convince his parents to allow him to attend Royal Academy where he anticipated pursuing his dream of being a painte r. At the college he was confused by the traditional British art, in it he found nothing imaginative to admire. But after reading John Ruskin’s volume on Modern Painters he was highly impressed by the author’s argument. The argument captured young Hunt imagination that had a profound spiritual background. The idea of reviving the dynamism of symbolic realism into the contemporary art, in the pursuit of his dream he met Millais, a fellow scholar at Royal Academy of Arts. Gradually, they developed a desire to participate in 1848 Royal Academy exhibition. The foremost painting of Hunt was adopted from the theme of a poem The Eve of St Agnes which was composed by a little known poet Keats.  All in all, Hunt is among the founding associates of the pre-Raphaelite movement. This was a group of artists who were extremely opposed to the odd, academic approach of painting advocated by Royal Art Academy. Just as is with such painters as Rossetti as well as John Everett Millais, his work revolved within the axis of mythology, biblical narratives, and medieval legends. His paintings are commonly unforgettable, romantic, luminous and equally flowing with unique symbolism and realism. As is illustrated by his biographer Schell Bacon he began to be an artist while working in a calico printer in Manchester. As the years progressed he rejected the concepts of crass materialism which had become the epitome of Victorian society. However, he was later forced to reconnect with his lost dynamics of spirituality of Gothic, Early-Renaissance and Medieval imagery. Eventually, he was attracted by the symbolic realism as well as mysticism exposed in Sassattas works. In his painting career he sought to achieve or attain both the moral and spiritual aspects of previous periods.  In the dawn of 1850 he finished his classic paint work A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids- commonly referred as The Missionary. This pa inting was presented in the same show as Millais piece Christ in the House of His Parents. However, one of the most notable works he painted was The Hireling Shepherd which became one of the most recognized pre-Raphaelite paintings. Also he painted a companion image that symbolized and narrated his transformation to religion. And this happened to be his turning point in his private life touching on his artistic as well as his spiritual life. His paintings illustrate him to be an individual who was etched in spirituality. The assumption is well supported by the classic painting titled The Light of the World. However, to attain his imagination of realism he is said to have opted to do his paintings at night under the lamp light. Hence, his works carries diverse and unique symbolism. More so, he established his personal artistic language to convey his message through the technique he referred as â€Å"symbolic realism†. According to established studies his later paintings were d one as a measure to establish and bring together the religious art in the wake of post industrial audience. However, for 1852 exhibition Hunt painted the worldly version of his earlier religious paintings, The Awakening Conscience. Pre-Raphaelites paintings The pre-Raphaelite painters as well as those painters who were allied to them produced a considerable amount of classic pieces. Both in secular and religious context these paintings had a considerable impact on the British society. It should be noted that this movement played a critical role in shaping and opening a novel window for the artists to explore other dynamics of paintings which went against the academic assumptions advocated by the Royal Academy of Arts. As is with the diverse poets and archictures of the period, Pre-Raphaelites artists explored the previous medieval periods in their paintings. Some of the major pre-Raphaelite paintings touched in extreme religious subjects as is with the paintings of Holman Hunt. Howe ver, pre-Raphaelite paintings did not have a definite principle. Most of them dwelt on Italian art while some were done with the tone of gothic and earl-Christian perceptions. Some of these pre-Raphaelite paintings were:   John Everett Millais Among the most notable pre-Raphaelite paintings, Millais painting Isabella stands as one of the foremost oil painting. The painting is developed with an elaborate foreshadowing using fine stroke and reflective bright colors. The theme of this painting was borrowed from Keats poem, The Pot of Basil; he was a little known poet who lived in early 1818. The painting exposes how the painter incorporated complex strokes with unique profiles together with flat perspectives. This technique allowed the painter to capture the details. Therefore, the significance of the painting touches on the unique consideration of women in the society.  The painting touches on a happening from the poem that depicts the relationship involving Isabella, and a certai n fellow named as Lorenzo (Daly 107). Isabella is depicted clad in grey and is being given a blood orange by her doomed lover Lorenzo. The orange is symbolic, it illustrates that someone neck has been beheaded. The paintings composition as well as meaning is etched among the painters deliberate and shagged perspective. Examining the aspects of pre-Raphaelite concepts, the painter purposely purges chiaroscuro in addition to inflating the concentration of juxtaposed hues and tones as is testified in the plain and flat dark tunic which is elaborately set against the sharply formulated white clothing. The base on of the chair Isabella is sited is contains the letters (Pre-Raphaelite Brotherhood). William Holman Hunt This painting is perhaps one of the few celebrated paintings depicting Christ. The period it was painted England was facing religious revival. According to diverse historical scholars Hunt was inspired by a biblical verse Revelation 3:20. Hence, an image of Christ holding a lantern seamlessly haunted him. To illustrate his vision he employed the use of materials having profound significance and meaning. Hence, he decorated an orchard standing for a sleeping soul. More so, the orchard stood for available sustenance needed by the soul. Also, full-grown apples for harvest are equally depicted in the downside of the painting. While a bat in the darkness symbolizes ignorance. For the purpose of expressing Christ’s face, the painter opted for a woman. This is commonly allied to the fact that woman treasures gravity, energy and attractiveness of expression (Maas 141).  Symbolically, for Christ figure he employed the male figure. This painting provides a critical insight into the manner the early English society perceived religion. As a member of pre-Raphaelite movement, paying attention to details provided him with an opportunity to paint a sensational image. It ought to be noted that the pre-Raphaelite painters were inspired by religion and nature. With the combination of such periods as Gothic, Medieval and Early-Christian painting concepts, this painting acquires a definite place in both religious and secular painting community. The painting though unique and depicting spiritual significance faced a stiff challenge from the religious circles. However, John Ruskin a respected art critic explained the significance of the painting and the value it held in regard to the sacred history. The first impressions of the painting were published in the wake of 1858.this permitted the greater public to have a close look at it.  This happened across Europe and America subsequently due to the success of this painting, hunt developed a smaller version by 1865. However, the primary painting was donated to Keble College. Examining this piece of art from the pre-Raphaelite perspective it offers an incredible insight into the way this movement impact on the English art. Despite the medieval aspects which were exported to the painting, the pai nter proved that imagination played a central role in as far as painting was concerned Works cited Andres, Sophia.The Pre-Raphaelite Art of the Victorian.NY: Ohio State University, 2004. Barringer, Tim. Reading the Pre-Raphaelites. New Haven: Yale University Press, 2001. Daly, Gay. Pre-Raphaelites in Love. New York: Ticknor, 2002. Hunt, Hunt. Pre-Raphaelitism. London: Macmillan; 1999. Maas, Jeremy. Holman Hunt and the Light of the World. NY: Ashgate, 2000 This essay on Pre-Raphaelite Artists was written and submitted by user Kamren Baxter to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here. Pre

Essay on rough draft wr1

Essay on rough draft wr1 Essay on rough draft wr1 Disi Kou Burlee Vang WR 1 21 June 2015 TV Ads Today more and more advertisements are seen on the TV screen. It’s difficult to find a program without insertion of ads on TV. Food, clothes-everything you can think of-are presented on television. Advertising "as the name suggests is the meaning of" advertised ". TV advertising is rely on visual image language infiltration to as the basic unit of society family, and it is to arouse the audience's desire to buy and consume behavior and make a final goods from producer distribution to the consumer hands. Advertising undoubtedly contributed to the transfer of such goods to the role of the catalyst, and the good or bad direct impact on the exchange of goods and whether the smooth and efficient. In generally, clever advertising often not take a straightforward strategy to highlight the superior performance of the commodity itself, sometimes even deliberately ignore its inherent quality, but to give the goods more imagination and desire on the better life. Obviously value of goods as a material existence and happiness of these ethical considerations do not seem to be directly related, but it is the task of advertising resorted to every means to tell the audience that a concept. As long as have the goods, happiness of life will come. Or that the audience for the purpose of the purchase of goods is not only a real life of real needs, but they want to get an advertising sense of happiness and joy in the process of consumer goods. This feeling becomes deep dynamic and effective way to stimulate consumption. Advertising as a special form of the dissemination of consumer information, consumer-purchasing behavior will have a great impact. Modern marketing believes that the consumer is the center of marketing, all marketing activities to focus on consumers. Advertising is through the dissemination of information, so that consumers can produce the expected positive response to the product which affects the consumer's purchasing behavior. Advertising is a kind of information dissemination activities and information dissemination is its most basic function. Consumers must first understand before buying commodity-related information. Sources of product information from three sources: First contact with itself; the second is the spread of the crowd; the third is a variety of media, such as obtained through television, newspapers or flyers, signs and so on. It is through a variety of media advertising, sending out all kinds of information about the product, so that consumers can get and get relevant knowledge. Advertising media is very wide spread of information, including market information, commodity information, service information, enterprise information and production and life information, etc. Through the dissemination of information on the advertising, can let consumers understand the product or service quality, characteristics, properties, morphology, trademarks and packaging and can bring new special value and sa tisfaction; can make people understand the business enterprise business purpose, development situation, market position and product reputation; can also be commodity related new lifestyles and consumption concept to the people to communicate and guide people's consumption behavior. Survey results show that advertising is an important source of information to understand the function of the product or service content, the proportion of the number of people in Taiwan is 86% and in Hongkong is 74%. In China, 60% of people think that shopping is influenced by advertising, especially television advertising. Nowadays, information has become an important resource for social survival, the unprecedented development of the advertising industry and it makes advertisement becomes the people to obtain the important sources of information, especially for the vast number of consumers, their information on commodity markets and most are directly or indirectly from advertising. At the same time,